INTERVIEW | ISSUE EIGHT | SCREENS Written by James A. Glass (he/him) | @magicalflamebow | Contributing Writer In today’s video game climate with big studios pressing down on consumers, it’s important that we champion independent creators and studios. I talked with Dave Oshry, CEO and co-founder of New Blood Interactive (NB) where he discussed how the studio operates, what he considers indie, and the current game dev landscape in Aotearoa. James: How does New Blood support dev

INTERVIEW | ISSUE EIGHT | SCREENS Micheal McCabe in conversation with Skye Lunson-Storey (they/them) | @uku_rangi | Arts, Culture, & Te Ao Māori Editor Rendered Futures: Drawing Architecture was an exhibition curated by Micheal McCabe and Kim Paton. Held in 2025 at Objectspace in both Tāmaki & Ōtautahi, it charts five decades of architectural drawing in response to today's stylised digital render. Skye: Rendered Futures as an exhibition, quote, "brings together drawings from

FILM COLUMN | ISSUE EIGHT | SCREENS Written by Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist Millie Lies Low (Michelle Savill, 2021) As everybody’s third or fourth choice for a Commonwealth nation — including ourselves, judging from how many of us move to Australia — it’s perhaps not as much a mystery where all the self-diagnosed ‘imposter syndrome’ in New Zealand comes from, especially if you’re competing with your colleagues for the best opportunities. The

Nostalgia in Aotearoa, New Zealand’s Screen Production ARTS & CULTURE | ISSUE EIGHT | SCREENS Written By Ivy Lyden-Hancy (she/her/ia) | @tekaraipiture | Contributing Writer “Trees. Birds. Rivers. Sky. Running with my Uncle Hec. Living Forever...” - Ricky Baker on Hunt for the Wilderpeople Moe mai ra, Sir Sam Neill (Uncle Hec) 1947-2026 Nostalgia in Aotearoa is a memory carved into the bones of our people. Māori and Pasifika screen production holds our mamae through media. No

FEATURE | ISSUE EIGHT | SCREENS Written by Liam Hansen (they/them) | @liamhanse.n | Associate Editor Between the corporate skyscrapers of Wynyard Quarter sits Media Design School at Strayer, the polytechnic that has spent the century so far cementing its place in the resumes of animators, game developers, and designers. From an outsiders perspective, it does the trick - like the other creative schools across Aotearoa, the amount you put into your education determines what you

COMIC | ISSUE SEVEN | MATARIKI Created by LoverLotus @withatouchofameteor

THE HOT LESBIAN | COLUMN | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by This Week’s Hot Lesbian, Wren Probett (she/her) @inkdogshirts | @hot_lesbian_initiative | Contributing Lesbian What could possess someone to wear a shirt that reads “Gay Dog” or “Dyke”? What must go wrong in a person’s life, for them to spend hours carefully carving those words from linoleum? Of all things, why a shirt? I mean, are you planning on wearing that on the bus? At the mall?? If you’ve seen my sh

KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by Jana Nee (she/her) | @jahncreates | Contributing Writer The darkroom in my high school art class was my creative haven. At sixteen, I spent most lunch breaks there, developing negatives from my film camera. I made strange, carefully staged images of fish heads with doll bodies. There were no creative constraints, and I embraced that freedom, experimenting and finding my voice through art photography. I learned to mix ch

Carrying Care KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by De Jana Sveistrup (they/she) | @dejana_sv | Contributing Writer Photos by Camden Jackson @camdak.g Studio space with hurricane fence displaying yarn collection, crochet panels and paintings. Photo by Camden Jackson Craft has a way of offering many metaphors to life, such as threads of connection, having a yarn, and unwinding. The art of craft is powerful in its ability to connect. After the resurgence of

Tohi Kumi Koloa KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by ‘Uhila M.L Jr (she/ her) | @uhila_nai | Contributing Writer The project Tohi Kumi Koloa, delves into the Tongan practices of ngatu barkcloth and kupesi embroidered relief stencil, as a lived document of my ancestors. The work is grounded in the Tongan way of thinking, making, and doing, while adapting to the present day. A practice that exists within and across the past, Tonga, and the present, Aotearoa

KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by Jeorja Duffy (she/her) @jeorjaduffy & Te Ra Awatea Kemp (she/her) @te.ra.kemp | Contributing Writers @herehere.co We, Jeorja Duffy (Ngāti Kuri, Sa’fanene, Pākehā) and Te Ra Awatea Kemp (Ngāti Raukawa, Te Ātiawa, Pākehā), both embrace craft at the heart of our art practices. Through generational craft, we utilise knowledge such as crochet and quilting in our personal artworks. Working with the handmade, we found common g

WEB EXCLUSIVE | REVIEW & INTERVIEW Written by Skye Lunson-Storey (she/they/ia) | @uku_rangi | Arts, Culture, and Te Ao Māori Editor Dates: May 7, 8, 9 Location: Basement Theatre Tickets: $15-$28 Use code GOODCANT to have 20% off tickets Serving Can’t Created by Marshall Lorenzo is an energetic and chaotic dive into the absurdities of modern work, capitalism, and burnout. Packed with hyper-pop transitions, bright lighting, and a constant rotation of eccentric characters. Mars

COLUMN | ISSUE FIVE | PUORO O AOTEAROA / LOCAL MUSIC Written by Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist Music and movies pair together like Marlborough wine and Eltham cheese. For this issue’s film column, I’ve plucked out three song lyrics from present-day Aotearoa and partnered them with films that, to me, evoke those words. Yojimbo (Akira Kurosawa, 1961) Song: Avantdale Bowling Club, Friday Night @ The Liquor Store (2022) The lyric: “The best of We

RICK'S REEL RECOMMENDATIONS | ISSUE THREE | WHENUA Written by Ricky Lai (he/him) | @rickthelai & Letterboxd | Film Columnist I Don’t Hate Las Vegas Anymore (Caveh Zahedi, 1994) A warning: mileage may vary for this road trip documentary. Caveh Zahedi is perhaps the documentarian most committed to self-sabotage since the time Morgan Spurlock ate 270 Big Macs to conceal his alcoholism in Supersize Me . Zahedi, an impolite, offhanded nebbish who is openly manipulative, is as h