KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by Jana Nee (she/her) | @jahncreates | Contributing Writer The darkroom in my high school art class was my creative haven. At sixteen, I spent most lunch breaks there, developing negatives from my film camera. I made strange, carefully staged images of fish heads with doll bodies. There were no creative constraints, and I embraced that freedom, experimenting and finding my voice through art photography. I learned to mix ch

Carrying Care KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by De Jana Sveistrup (they/she) | @dejana_sv | Contributing Writer Photos by Camden Jackson @camdak.g Studio space with hurricane fence displaying yarn collection, crochet panels and paintings. Photo by Camden Jackson Craft has a way of offering many metaphors to life, such as threads of connection, having a yarn, and unwinding. The art of craft is powerful in its ability to connect. After the resurgence of

Tohi Kumi Koloa KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by ‘Uhila M.L Jr (she/ her) | @uhila_nai | Contributing Writer The project Tohi Kumi Koloa, delves into the Tongan practices of ngatu barkcloth and kupesi embroidered relief stencil, as a lived document of my ancestors. The work is grounded in the Tongan way of thinking, making, and doing, while adapting to the present day. A practice that exists within and across the past, Tonga, and the present, Aotearoa

KŌRERO TOI | ISSUE SIX | MAHI Ā-RINGA / CRAFT Written by Jeorja Duffy (she/her) @jeorjaduffy & Te Ra Awatea Kemp (she/her) @te.ra.kemp | Contributing Writers @herehere.co We, Jeorja Duffy (Ngāti Kuri, Sa’fanene, Pākehā) and Te Ra Awatea Kemp (Ngāti Raukawa, Te Ātiawa, Pākehā), both embrace craft at the heart of our art practices. Through generational craft, we utilise knowledge such as crochet and quilting in our personal artworks. Working with the handmade, we found common g

ARTS | ISSUE THREE | WHENUA Written by Ken Faber (they/he) | @_kekeno_ | Contributing Artist The End We Are Together confronts the internal biases rooted in the ideology of the Anthropocene - Eurocentrism, chronocentrism, and anthropocentrism - clawing at its reifications of the innate sin of humanity in causing our extinction. It’s easier to imagine the end of the world than the end of capitalism. Egg tempera is a naturally occurring emulsion, a nonbinary combination of o

ARTS | ISSUE TWO | WAIRUATANGA / SPIRITUALITY Written By Noesheen Sherreeze Buksh she/her | @bon._.bon._.908 | Contributing Writer My art practice examines mortality. Through my interpretation of the apocalypse, my practice is shaped by my interfaith Christian-Islamic upbringing and Fijian-Indian heritage. Painting is a tool I use to escape the never-ending dread I feel in the pit of my stomach when the topic of religion and spirituality are brought up. I use the means of c

ARTS | ISSUE ONE | TUAKIRI / IDENTITY Written by Natasha Munro Hurn she/they | @ utopia_for_sale | Contributing Writer I crave distortion because it heals me. I am a personal riot, even at times when I desire not to, but then again, I am in a hetero world after all. No one can shut off this queerness because this is my utopia. I am broke as fuck but beautiful and alive!!! My practice is best seen as both an embrace and a release of my experience as a queer non-binary trans