WEB EXCLUSIVE | REVIEW | NZIFF Written by Ricky Lai | Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist Remake dir. Ross McElwee United States, 114 minutes ‘You can see the lettering in the mud.’ Some folks just can’t put down the camera. Earlier in the week before seeing Ross McElwee’s meta-documentary Remake, I caught Brydie O’Connor’s Barbara Forever, a feature on American avant-garde pioneer of queer cinema, Barbara Hammer. Hammer was essentially an archivist, dedicating...

REVIEW | ISSUE NINE | WHAKAKATA / HUMOUR Written by Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist The first UniFest short film competition resembles the kind of combination between creative outlet and filmmaking practice which I would have adored during my studies. It’s reassuring to see a body of undergrads wishing for the same, taking that into their own hands – run by the students, for the students. Each entry was held down by only two creative constraints: the theme of...

COLUMN | ISSUE NINE | WHAKAKATA / HUMOUR Written by Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist Da Hip Hop Witch (Dale Resteghini, 2000) Directed by the music videographer who’d go on to lend tone-deaf visuals to Busta Rhymes’ ‘Arab Money, Da Hip Hop Witch was a Blair Witch parody riding on four plots interwoven with no discernible rhythm. (A) Female staff at the office for a tabloid magazine fight off their creep of a boss. (B) A gang of youngins from Salem search for the...

FILM COLUMN | ISSUE EIGHT | SCREENS Written by Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist Millie Lies Low (Michelle Savill, 2021) As everybody’s third or fourth choice for a Commonwealth nation — including ourselves, judging from how many of us move to Australia — it’s perhaps not as much a mystery where all the self-diagnosed ‘imposter syndrome’ in New Zealand comes from, especially if you’re competing with your colleagues for the best opportunities. The economy doesn’t...

FILM COLUMN | ISSUE SEVEM | MATARIKI Written by Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist The pūrākau about the formation of Matariki tells us that its stars were formed by an act of grief and anger by Tāwhirimātea, the god of wind and weather. To match, I’ve dusted off three essential films on the subject of wind. The Wind (Victor Sjöström, 1928) Checks out. If there was ever a more comprehensive depiction of wind in film, it’d have to be called Wind 2. Now that we bask...

WEB EXCLUSIVE Written by Ricky Lai (he/him) | @rickthelai on IG & Letterboxd | Columnist Leviticus is named after the book from the Old Testament, which in part lays out the archaic laws of sexual morality. Most controversial is one commandment which, even in its slight variations of phrasing from one translation to another, has rippled appalling consequences throughout the rest of history: ‘18:22 – You shall not lie with a man as with a woman; it is an abomination’. Historians and scholars...